MY NAME IS ANDREW
MY NAME IS ANDREW
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I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.
This is a great space to write long text about your company and your services. You can use this space to go into a little more detail about your company. Talk about your team and what services you provide.
MY NAME IS ANDREW
I'm a paragraph. Click here to add your own text and edit me. It’s easy. Just click “Edit Text” or double click me to add your own content and make changes to the font. Feel free to drag and drop me anywhere you like on your page. I’m a great place for you to tell a story and let your users know a little more about you.
This is a great space to write long text about your company and your services. You can use this space to go into a little more detail about your company. Talk about your team and what services you provide.
Hi!
My Name is Andrew
With a focus on abstract landscapes and architectural interiors, my art is influenced by the vibrant colors of my Northern California surroundings. Many of my landscapes use what I call an “invented color space” where color is used to break up the composition and achieve a sense of depth and atmosphere that can be open to the interpretation of the viewer.
As a child I celebrated coloring outside the lines. Those loose imperfect marks define my gestural painting style to this day. If painting were religion I would be praying to the saints: Matisse, Diebenkorn and Hockney.
The Modern Lithograph: My Unique Process for Works on Paper
Paint strokes and pastels are made using ArtRage software and a computer stylus with output to paper that is almost indistinguishable from hand painted work.
My prints are not reproductions of my original paintings. They are digitally painted originals - richly produced in limited editions of 20 on high-quality archival watercolor paper. Each print is hand-numbered and signed.
Below are some demos to help understand the process. The still life painting of fruit below is a time-lapse video of me using ArtRage software and a computer stylus to paint the photo of fruit in the upper right corner. That final digital file is my “digital painting” that I can print (in limited editions) on high quality paper or canvas.